Shekkhopir-deshe Durbhikkho [Famine in Shakespeare-land]

Description

This story is about one of the worst famines in the history of Renaissance England. In the latter part of the sixteenth century, England faced repeated food shortages. The most serious dearths occurred in 1555-1557, 1586-1588, and 1594-1598. It was a time of gathering crisis; not only did crops fail, but the population increased, prices rose, and war and diseases broke out. The 1590s were especially dismal. The wheat harvest failed for four consecutive years from 1594-1597, and food prices were driven up. England saw increased levels of vagrancy, destitution, and food riots, especially in the north and west where markets were less accessible. Anonymous parish register entries show that bodies of the displaced rural poor, who were mostly drifting south and east, were found under hedges, in barns, and on the roadside. The old, the very young, and the marginalised died of starvation or from eating inferior food. This was also, perhaps paradoxically, a time when literary endeavours flourished, and William Shakespeare wrote some of his best plays, many of which engage with questions of food insecurity in his environment.

In our rendition of these events, the patachitrakars of Naya and the graphic artist Trinankur Banerjee construct their own narratives based on the historical information and literary texts at their disposal. The patachitrakars met this challenge by making bold experiments with adapting their painting style to represent historically renowned figures like Queen Elizabeth I and William Shakespeare. Their story is narrated with a focus on the persona of "Shekkhopir" - drawing on a nineteenth-century colloquial Bengali appropriation of "Shakespeare". This enables Dukhushyam to further appropriate the English playwright as a fellow "pir" or wandering poet-philosopher, thus drawing him into a poetic tradition to which Dukhushyam himself belongs. Trinankur, on the other hand, revisits 1590s England and its troubles through the eyes of the spectacular Shakespearean character Sir John Falstaff, to construct a comic satire which suits his own medium of graphic narration.

Creator

Banerjee, Trinankur
Chitrakar, Dukhushyam
Chitrakar, Jahanara
Chitrakar, Khaleda
Chitrakar, Lutfa
Chitrakar, Mahim
Chitrakar, Rabbani
Chitrakar, Rahim
Chitrakar, Rahman
Chitrakar, Ushiara

Source

Hugh Platt, Remedies for Famine (London: 1596).
William Shakespeare, Henry IV, Parts 1 and 2.
"Famine", "Of Dearth", "Gluttony", in Englands Parnassus, ed. Robert Allott (London: 1600).

Publisher

University of Exeter

Date

2020-02

Contributor

Alderson, Eve
Brock, Dan
Dutta, Shrutakirti
Elsender, Francis
Fereday, Graham
Gupta, Abhijit
Halder, Bhagirath
Hammond, Sophie
Holding, Richard
Long, Lily
Mbedzi, Tumisang
Mondal, Sujit
Mukherjee, Ayesha
Spence, Connor
Singer, Wendy
Tupman, Charlotte

Rights

CC BY-NC

Language

Bengali
English

Identifier

84e9e215a065de32bace920f42267c1c.jpg

Coverage

England; 1595-98

Relation

Anonymous, formerly attributed to George Gower. Armada Portrait of Elizabeth I, c.1588. Woburn Abbey, Bedfordshire.

Anonymous, formerly attributed to George Gower. Armada Portrait of Elizabeth I, c.1588. National Portrait Gallery, London.

Attributed to Isaac Oliver and Marcus Gheeraerts the Younger. Rainbow Portrait of Elizabeth I, c.1600-1602. Marquess of Salisbury collection, Hatfield House, Hertfordshire. 

Associated with John Taylor. Portrait of William Shakespeare, c.1600-1610. NPG1 © National Portrait Gallery, London.

Adolf Schrödter, Falstaff und sein Page, 1867.

Anthony Quayle and Richard Burton as Falstaff and Prince Hal in Henry IV, Part I. Royal Shakespeare Company, 1951.

Sir Herbert Beerbohm Tree as Falstaff in Henry IV, Part I. 1896. 

John Walter and Roger Schofield (eds), Famine, Disease and the Social Order in Early Modern Society (Cambridge: CUP, 1989).

Ayesha Mukherjee, Penury into Plenty: Dearth and the Making of Knowledge in Early Modern England. Routledge Research in Early Modern History. London and New York: Routledge, 2015.