Shekkhopir-deshe Durbhikkho [Famine in Shakespeare-land]
Description
In our rendition of these events, the patachitrakars of Naya and the graphic artist Trinankur Banerjee construct their own narratives based on the historical information and literary texts at their disposal. The patachitrakars met this challenge by making bold experiments with adapting their painting style to represent historically renowned figures like Queen Elizabeth I and William Shakespeare. Their story is narrated with a focus on the persona of "Shekkhopir" - drawing on a nineteenth-century colloquial Bengali appropriation of "Shakespeare". This enables Dukhushyam to further appropriate the English playwright as a fellow "pir" or wandering poet-philosopher, thus drawing him into a poetic tradition to which Dukhushyam himself belongs. Trinankur, on the other hand, revisits 1590s England and its troubles through the eyes of the spectacular Shakespearean character Sir John Falstaff, to construct a comic satire which suits his own medium of graphic narration.
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A new mapp of the kingdome of England: representing the princedome of Wales, and other provinces, cities, market towns, with the roads from town to town. Amsterdam: Nicolas Visscher and London: Iohn Overton, c.1677.
Anonymous, formerly attributed to George Gower. Armada Portrait of Elizabeth I, c.1588. Woburn Abbey, Bedfordshire.
Anonymous, formerly attributed to George Gower. Armada Portrait of Elizabeth I, c.1588. National Portrait Gallery, London.
Attributed to Isaac Oliver and Marcus Gheeraerts the Younger. Rainbow Portrait of Elizabeth I, c.1600-1602. Marquess of Salisbury collection, Hatfield House, Hertfordshire.
Associated with John Taylor. Portrait of William Shakespeare, c.1600-1610. NPG1 © National Portrait Gallery, London.
Adolf Schrödter, Falstaff und sein Page, 1867.
Anthony Quayle and Richard Burton as Falstaff and Prince Hal in Henry IV, Part I. Royal Shakespeare Company, 1951.
Sir Herbert Beerbohm Tree as Falstaff in Henry IV, Part I. 1896.
John Walter and Roger Schofield (eds), Famine, Disease and the Social Order in Early Modern Society (Cambridge: CUP, 1989).
Ayesha Mukherjee, Penury into Plenty: Dearth and the Making of Knowledge in Early Modern England. Routledge Research in Early Modern History. London and New York: Routledge, 2015.